African poems: ‘Abiku’ by P. J Clark
Coming and going these several seasons
Do stay out on the baobab tree
Follow where you please your kindred spirits
If indoors is not enough for you
True, it leaks through the thatch
When flood brims the banks
And the bats and the owls
Often tear in at night through the eaves
And at harmattan, the bamboo walls
Are ready to tinder for the fire
That drives the fresh fish up on the rack
Still it’s been the healthy stock
To several fingers, to many more will be
Who reach to the sun
No longer then bestride the threshold
But step in and stay
For good we know the knife sears
Serrating down your back and front
Like beak of the sword-fish
And both your ears, notched
As bondsman to this house
Are all relics of your first comings
Then step in, step in and stay
For her body is tired
Tired, her milk going sour
Where many more mouths gladden the heart
ABOUT THE POST
In any discussion of Modern Africa Literature, Clark’s name cannot be omitted, for he is one of the pioneers. John Pepper Clark is an Ijaw man, born in the Ijaw area of the Mid-Western, now known as Delta State in Nigeria. The Ijaws are known for deep emotionalism –they express their feelings in a very deep way that shows their commitment to whatever they believe in. Clark is highly intelligent in his mastery of poetry; such that he says so much in very few words.
Clark was educated first at the famous Government College, Ughelli and later at the University of Ibadan, Ibadan, like his contemporaries; “Wole Soyinka and Chinua Achebe.
His poetry is known to show deep, fine artistry, and a great power of description. Part of the people of his poetry is that the imagery , ideas and subject matter are all draw from his Ijaw cultural background , yet he succeeds in fusing these perfectly with Western tradition. Clark is still leading a very active literary life.
THEME OF THE POEM
The frustrations and despondency, an average poverty- stricken African family faces, particularly the woman.
ANALYSIS
The word “Abiku” is a Yoruba word for an ill-fated spirit child. Such a child is born, dies suddenly and continues its life-cycle in that manner. The Igbo tribe of Nigeria calls such a child “Ogbanje”.
This poem is an appeal to the ill-fated ‘spirit child’ who, having been born dies immediately to be born at another time. The post belongs to a culture that believes in re-incarnation.
The post appeals to the child who comes and goes back ‘these several seasons’ to come in and stay permanently , otherwise , it should go back to meet others like him. The family into which the Abiku is born is poor;
True, it leaks through the thatch
When flood brims the banks
And bats and the owls
Often tear in at night through the eaves.
The wall of the house is made of bamboo sticks, which dries up during the harmattan , and it is used as fire wood, yet, this same home has raised many important personalities, ”the healthy stock…. Who reach the sun”. The spirit child should consequently come in to stay permanently.
The ‘Abiku’ is easily recognized because of the marks made on it when it died, but these marks have not stopped it from coming back.
“We know the knife scars
Serrating down your back
….And both your ears notched
Are all relics of your first coming “.
The poet appeals passionately to the Abiku to abide and stop tormenting the mother for ‘her body’ are tired.
“Tried , her milk going sour”
Other babies come to make their mothers happy so the spirit child too should
“Step in and stay”
POETIC DEVICES
Diction: The words used represent a typical African setting in the rural area. We have baobab tree, bats, owls, thatch, bamboo walls, notched, bondsman.
FIGURE OF SPEECH
SMILE
- “Serrating down your back and front
Like beak of the sword fish
2. “both your ears, notched
As a bondsman to this house
The comparison here is to make us see vividly the indelible marks on Abiku, just as slaves were marked in the past for easy identification.
REPETITION
“Step in step in and stay
“Her body is tried “
“Tried “
The repeated word shows anger, impatience and despair
ALLITERATION
“Several seasons”
“Through thatch”
“Brim banks”
“Many more “
SYMBOLISM
“Baobab tree” in Africa symbolizes the meeting place for evil spirits. The “Abiku” is instructed to follow his spirit friends of he cannot sty with the family.
SYNECDOCHE
A part is used to represent the whole e.g.
‘Seasons’ represents years
‘Healthy stock’ represents dignitaries in that home
‘More mouths’ refers to children.
MOOD/TONE: The prevailing mood in the person shows unhappiness, disappointment, despondency, frustration. As the Abiku goes and comes back, the life of the mother has become meaningless.
The poem is a castigation of the “Abiku”, who torments the mother. It is ironical that from the same poor home where he refused to stay , eminent personalities have been born.
Culled from Selected Poems for Professional Students
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